Project Description

TOO MANY ZOOZ

@ Factory Theatre Sydney

(Live Review) 19/02/18

Reviewer: Chantelle Angileri

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Too Many Zooz

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Brass band trio Too Many Zooz hit Factory Theatre in Sydney on Monday night. This being their second Australian tour in six months and fans were pumped with enthusiasm to witness three out of control New York City buskers yet again. Giving off their authentic city street vibes, it was absolutely mesmerising to witness the continuous talent displayed throughout their set. Listening to their tunes on a speaker, or headphones does not do this unique band justice and Monday nights performance proved to the audience that they are the modern, upbeat trio who are well capable of starting up any party.

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To begin the night was support act Lyall Moloney from Sydney’s Inner-West. His shirtless, summery vibes, soulful vocals and melodic beats created the perfect atmosphere for the rest of the show. Moloney jammed out tracks from his debut album ‘Only Lonely’ and every now and then he would drop some chilled out comments about his appreciation to be able to perform for the audience.

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It was time for Too Many Zooz to hit the stage. Without any introductory speech, the New York City trio instantly put their heavy percussion, drum and horn beats into action. It was mind blowing to say the least. There was an immediate lift within the room as audience members began to bounce and jive their way, weaving through the crowd. The American band performed hit songs including Brasshouse Vol 7 No 68, Get Busy and To the Top. Baritone saxophonist Leo Pellegrino’s wild pink hair, fluorescent checkered shirt (which he later stripped off while mid jam) demonstrated his quirky and upbeat passion for performing. Pellegrino did exactly what he does best while playing the sax, as he shuffled across all areas of the stage to each fast paced beat, with a sensual yet hilarious body roll and thrust from time to time, causing the crowd to get rowdier and further amped. Trumpeter Matt Doe kept up the trend as he left his shades on for the entire night while playing jaw dropping and precise rhythms. Doe showed the audience that he wasn’t just about that trumpet but a man of various skills as he dropped some epic EDM structures and sounds to the mix. Drummer, David ‘King of Sludge’ Parks was the man of percussion and drums and held their signature sounds of brasshouse, meets reggae, meets NYC beats, all merged into one.

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The dedication Too Many Zooz placed into their performance was absolutely unforgettable. I was in awe with the lack of pauses and fast paced rhythms they played with such ease. Each track involved intricate and heavy based pitch work which was almost reminiscent of lyrics being sung at an intense speed. The flow of each track rolling into the other caused for a wicked night of dancing to some incredible, cleverly produced tunes. A definite must for all live music lovers.

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Too Many Zooz

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