Otherness features 10 fresh, original songs including the explosive first single, “Sweet Dreams Of Otherness”, previously released banger “Reverse The Curse” and the hauntingly beautiful “Sans Soleil”.  The album is produced by AOF and mixed by punk stalwart Jonah Falco (Fucked Up, Chubby and the Gang).

A continuous thread through the fabric of Alexisonfire is the state of otherness. Otherness drew us all to spaces where a band like this could be formed. We attract the type of individuals that have all felt the sensation of being strange or unique. Perceived or otherwise, otherness has followed us through childhood, adolescence, and into our adult lives. It drives our tastes and proclivities. It bonds us with ourselves and others. And make no mistake, even at our most domestic and mundane moments, we are true outliers. – Otherness mission statement.

Otherness is the band’s most cohesive and self-actualized record to date. For those who need a refresher, AOF released four hugely successful studio albums, all Music Canada Platinum-certified: Alexisonfire (2002), Watch Out (2004), Crisis (2006), and Old Crows / Young Cardinals (2009). Crisis debuted at #1 on the Top 200 Soundscan (Canada), and Old Crows / Young Cardinals debuted at #2, and charted at #9 on the US Billboard Independent Album chart. ​​The number of albums made outside of Alexisonfire by different band members over the years – including City and Colour, Dead Tired, You+Me, Dooms Children, and Billy Talent – could fill several record store bins.

Alexisonfire produced Otherness themselves in roughly a week. They kept it a “family affair,” working closely with folks who’ve been with them for years. Writing took place at the Dine Alone Records clubhouse. The album includes organ, keys, and pedal steel from Green’s longtime collaborator Matt Kelly. Jill Zimmerman and Darren “Jeter” Magierowski (who is also Steele’s cousin) engineered, at Jukasa Recording Studios. The idea of the strength of diversity and the power of the outsider expressed in the album’s mission statement surfaced early in the process.

AOF stayed at the studio and fully lived in the record. “Because George, Dallas, and I all sing, we wrote our own lyrics in the past. This time, we all wrote for each other,” MacNeil explains. “We shied away from that before. If I wrote something very personal, maybe George would’ve felt uncomfortable singing it. This time around, that didn’t even enter our minds. We worked to combine our voices rather than just pick our individual spots. Whatever suited the song the best.”

As Revolver Magazine noted in 2019: “It’s hard to overstate the influence Alexisonfire had in post-hardcore through the mid-2000s, their combination of singing and screaming setting the blueprint for many artists to come.” Five guys playing aggressive rock (with no less than three of them singing and screaming) grew to a hockey-arena headlining phenomenon while pushing and pulling between spirited guitar leads, melodic might, and emotional weight.

“As much as we love playing the old songs, we don’t want to be a nostalgia act. The only reason to come back is if we feel we still have something to say,” Pettit insists. “We spent so much time on the road thinking that if we stopped, people would lose interest. But when we went away, it only got bigger. We all carved new paths for ourselves, so coming back to Alexisonfire is a purely enjoyable creative venture. Something special happens when we get in a room together.”

“The biggest difference is the space we are all in,” adds MacNeil.  “We were all really thrilled to make a record, and it was such a respite from what was going on in the world. It felt like life could be beautiful. We were supportive of one another. Everyone was in such a good mood. It was such a treat to be able to do it again.”