CUT COPY
release sixth studio album
“FREEZE, MELT”
BUY/STREAM HERE
+ SHARE VISUALISER FOR LATEST SINGLE
“RUNNING IN THE GRASS”
WATCH HERE
OUT NOW VIA CUTTERS RECORDS / THE ORCHARD
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GRAMMY nominated, ARIA award-winning Australian electronic act Cut Copy, today unveil their highly anticipated sixth studio album, Freeze, Melt, out via Cutters Records & The Orchard. The four-piece, Melbourne-native act take an inward emotional turn from their prolific catalogue with the record, refocusing on the electronic pastures that have lurked in their periphery while re-imagining their body-moving signature.
If Cut Copy’s previous album Haiku From Zero represents their most refined and emotive project to date, then Freeze, Melt further builds on this by way of their 2016 January Tape, embodying an extended electronic mediation. Stepping into headier realms whilst lyrically exploring love in solitude, the genesis of Freeze, Melt was born from the sub-zero winter in Denmark of 2018 where Dan Whitford was based. Inspired by a monochromatic palette, a timeless feel and painterly abstraction during time abroad, the band regrouped at Melbourne’s Park Orchard Studios to record the LP ensconced once again by forest and native birds. They completed the loop and inscribed Scandinavia into the album’s DNA by returning it to Gothenburg’s Christoffer Berg (The Knife) to be mixed.
The LP begins with “Cold Water” and a danceability only Cut Copy can replicate, as frontman Dan Whitford’s voice lifts and carries on top of stoic chiming machine melodies that lap and flow, echoing, “All I need is you”. Summoning the quintessential Cut Copy sound, their latest release “Like Breaking Glass” ups the mood with high-end sonics, warm synth-work and dance-tingling beats, before 2020 returning single “Love Is All We Share” breathes the universal truth through ambient textures, yearning to connect in solitude.
“Stop, Horizon” next paints a winter in Denmark with sprinkles of acoustic sequences akin to snowflakes falling in a sensory-rich soundscape, subtly transitioning from surrealism to low-fi funk via psychedelic-tinged vocals. Uplifting from start to finish, latest single “Running In The Grass” is spearheaded by Whitford’s words in hand with a programmatic instrumental and punchy beat. Alongside the single is another stunning visual from the band’s ongoing collaboration with acclaimed artist Takeshi Murata, bringing the track’s sonic identity into the visual realm, before the album moves into “A Perfect Day” where house-esque kick propels forward while the synth pulsates beneath, culminating in a groove-heavy breakdown. Following,“Rain” conjures a rising instrumental with atmospheric sounds, each with their own narrative, building anticipation throughout the track releasing it with Whitford’s thunderous vocals and emotive strings lines. Closing out the album is “In Transit”, a solemn outro where bleeding synth lines transmute from plodding melodies, and merge with naturalistic acoustic strings.
Speaking on the album, Dan Whitford says: “It’s the most electronic album we’ve made, but also the least ‘dance’. In the past when we were in the studio we were striving to move people on the dancefloor, but in this case it was all about trying to move people in more of an emotional way.”
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Freeze, Melt is Cut Copy’s first full-length release since their 2017 highly acclaimed Haiku From Zero. Born from a bedroom recording project by Dan Whitford, and expanding to a full-fledged band with guitarist Tim Hoey, drummer Mitchell Scott, and bass player Ben Browning, Cut Copy’s discography has endured the test of time with a knack for simultaneously expanding their sound while refining it. Their renowned live show has graced sold-out headline stages across five continents, major U.S TV shows Late Night with Jimmy Fallon and Jimmy Kimmel Live, and primetime slots at prestigious festivals Coachella, Ultra, Lollapalooza, Primavera, Pitchfork, Summer Sonic and Big Day Out.
Their unique sound and unencumbered tastes have earned the band praise both at home and abroad, picking up multiple nominations across a nineteen-year career. 2011’s ARIA chart-topper Zonoscope was nominated for Best Dance/Electronic Album of the Year at the Grammy Awards, and awarded Best Dance Release at the ARIA Awards. 2008’s In Ghost Colours, featuring “Lights & Music” and “Hearts on Fire” received nominations for the ARIA Awards’ Best Dance/Electronic Album and Album of the Year at the J Awards. The four-piece act have also seen their songs licensed for use in television, games and commercial, including FIFA 18, Chevrolet, Netflix, Amazon and Levi’s #LiveinLevis campaign.
Freeze, Melt arrives today as the sixth LP from the esteemed act, presenting a full-bodied experience into new sound arenas while maintaining foundations of the prolific legacy that has influenced a generation. With an enduring name spanning from Australia’s golden era of electronic music to their reemergence today, tune in to new inspirations and evocations from the country’s most beloved music exports on Freeze, Melt now.
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FREEZE, MELT IS OUT NOW
VIA CUTTERS RECORDS (VIA THE ORCHARD)
BUY/STREAM HERE
WATCH “RUNNING IN THE GRASS” HERE
EU TOUR DATES BELOW
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FREEZE, MELT
Tracklist
1. Cold Water
2. Like Breaking Glass
3. Love Is All We Share
4. Stop, Horizon
5. Running In The Grass
6. A Perfect Day
7. Rain
8. In Transit
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Follow CUT COPY
WEBSITE – FACEBOOK
INSTAGRAM – TWITTER
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CUT COPY
2021
TOUR DATES
TICKET INFO HERE
Tuesday, March 23 – Hard Club, Porto
Wednesday, March 24 – Coliseum, Lisbon
Tuesday, March 30 – Melkweg, Amsterdam
Wednesday, March 31 – Roundhouse, London
Friday, April 2 – Whelan’s, Dublin
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AMNPLIFY – DB
My nickname is “The Amnplifier”. Why? Because around here my focus is on being a conduit for providing greater outcomes that people come here for. My day to day “work” is living in the moment, and I love helping others concentrate on finding their connection to themselves through their experiences.
Why start a music environment? The truth is I love music, I love writing, and I love life. I work with musicians every day, and I feel certain that I will be until they put me in the ground. I have been managing people in businesses of some sort for over thirty five years so along the way I have developed some “wisdom” from my regular and constant “observations”.
Amnplify your experience. That is what we want you to do here, and if you want to let me know why you do, or don’t, shoot me a message on Facebook.
Hope you enjoy yourself here and find something that hits you somewhere.