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L.S. DUNES
shares title track
from forthcoming album

STREAM VIOLET NOW

WATCH THE MUSIC VIDEO HERE

New album
VIOLET
out Jan 31

VIA FANTASY RECORDS

Previously Featured on Billboard, Stereogum,
Consequence, Brooklyn Vegan, Revolver Mag,
Alternative Press, FLOOD Magazine, and more

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Photo Credit: Shervin Laine

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Rock band L.S. Dunes is excited to share the title track from their forthcoming album. Fans can stream Violet now, and watch the brand new music video here. L.S Dunes’ highly anticipated sophomore album, Violet, will be out on January 31st, 2025 via Fantasy Records. Pre-orders are available now HERE.

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“I think Violet is the song that fully encapsulates everything we do as a band. Frank brought the demo to the band as a fully structured song, and it seemed that we all just knew immediately what we had to do,” shares bassist Tim Payne. “I hear quite a few elements from songs on Past Lives, but it’s filtered through the lens of a more established musical language between us, and we were able to take this already incredible song Frank wrote and elevate it to a place I don’t think any of us imagined it could go.”

Adds front man Anthony Green: “This song is about someone getting exactly what they deserve. This song helped me get through the feeling of being ghosted.”

L.S. Dunes recently wrapped up their US tour with Rise Against and will be joining the band overseas in the UK and Europe in early 2025.

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VIOLET – OUT NOW – HERE

VIOLET – OUT JANUARY 31 – HERE

VIOLET
Track Listing:

01. Like Magick
02. Fatal Deluxe
03. I Can See It Now…
04. Violet
05. Machines
06. You Deserve To Be Haunted
07. Holograms
08. Paper Tigers
09. Things I Thought Would Last Forever
10. Forgiveness

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Follow L.S. DUNES

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Photo Credit: Shervin Laine

About L.S. DUNES

The earliest version of L.S. Dunes—the one that introduced themselves to the world at Chicago’s Riot Fest in 2022 and went on to release their blissfully chaotic debut, Past Lives, later that year—was birthed in turbulence. There was a pandemic. There were time and family constraints. There were members away on tour with one of their many other bands: Anthony Green’s Saosin and Circa Survive, Frank Iero’s My Chemical Romance, Tim Payne and Tucker Rule’s Thursday, and Travis Stever’s Coheed and Cambria, among them. Somehow, they managed to make it work, releasing a few more singles along the way, and touring the globe for a growing and passionate cult-like fanbase. By and large, it was a successful first effort. But there were also some unforeseen consequences, and as the album cycle came to an end, there was at least one mistake that Green knew they needed to correct.

“I became so sick of playing the song where I sing, ‘Sorry that I wish that I was dead,’ and I am so sorry I even wrote that song,” he says of Sleep Cult, the closing track on their debut. “I’m grateful that people resonate with it, but it just wasn’t helpful for me to sing that every night or to talk about that. So this time, I personally decided that I really wanted to make a record that says there is magic in the world. I wanted to celebrate music and the transformative power that it has to connect and inspire people. I wanted to make something that was in complete opposition to that song—something that says, I want to live.”

By any measure, Violet—once again helmed by Grammy-nominated producer Will Yip—lives up to that promise, and in many ways, it opens up an opportunity to rediscover L.S. Dunes in a different light. Where Past Lives takes its oxygen from the thrill of frenzy and impulsiveness, Violet breathes deeper with a more open and expansive palette. Whether it lives in the confident and steady pulse of a song like Machines, in the rousing lyrical empowerment of Paper Tigers, or in the way that Forgiveness forges itself as an anthem for love and unconditional acceptance in the face of our personal failures, this is a body of work that secures multiple outcomes: There is hindsight. There is hope. There is, in fact, magic.

Perhaps no greater evidence of this exists but in the album’s name. Violet. A word that entered Iero’s subconscious while mumbling scratch lyrics to a new song he was writing, a word that became the working title for that song, and a word that survived demo after demo until it finally became the name of the album—despite not appearing anywhere in the final lyrics of the title track. “It just happened,” Iero insists. It appeared out of nowhere.

That’s the thing about magic: You need to suspend disbelief. You need to surrender to it. You need to stop asking for an explanation and simply embrace it when it comes.

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AMNPLIFY – DB