Project Description

Interview with

MARK CALLAGHAN

from

GANGGAJANG

by Vicky Hebbs

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Gangajang

GANGgajang_Potts Point_2016

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How did you first get into music? When did it become a serious concern?
I first got into music while studying Architecture at the University of Queensland. We heard the Saints and the Sex Pistols and were inspired to form our own band which eventually became the Riptides. We got serious about it towards the end of our course and decided we’d give it a go and started touring seriously and eventually moved to Sydney.

What kind of music did you grow up on? What artists inspired you and which do you still look to now for ideas?
I grew up in the UK until I was 15 when my family migrated to Australia. I listened to a lot of the British pop music of the sixties – Beatles, Stones, Kinks etc. My Mum was also a huge fan of African American music and we had a lot of that music in our house as well – everything from Sam Cooke to The Supremes to Aretha Franklin. I still remember being blown away when I heard ‘A Change Is Gonna Come’.  As a teenager I got heavily into Dylan but it was the music of Punk and New Wave that made me realise that anyone could make music and form a band. I’m very eclectic in my musical taste and listen to lots of different styles and genres. A friend once told me that there’s something good in almost every song – whether it’s a lyric, a bass line or a guitar arrangement so I tend to find inspiration and ideas everywhere.

How did you originally come together to form GANGgajang and make music? 
I’d met Buzz Bidstrup when he produced our first Riptides record. After the Riptides I worked with my friend Toby Creswell on a script for a new ABC TV show that eventually became the series ‘Sweet and Sour’. We didn’t end up getting the script writing gig but having met the producers I ended up contributing a number of songs to the show. Buzz was doing some of the production on the series and we were also writing songs together so things evolved from there.

Your new single Round The World was recorded at Freshwater Beach in Sydney – can you share the origins or inspiration behind the single?
Surfing Round The World has had a really interesting journey as a song. It actually began as a live thing – basically an onstage jam during an encore where we’d do a quick medley of classic surf instrumentals, culminating in this reggae inspired jam. It evolved and lyrics were added – all live, we never rehearsed it!  Then, we were asked to be part of the Delightful Rain project which was recorded at the Freshwater Beach Surf Club.  We quickly beat the song into shape and recorded it.  But, we’d always wanted to do more with the track and so decided we’d take the original recordings and rework them. It’s been a particular joy actually because it turned out to be the last thing we recorded with our dear friend and band mate Chris Bailey. It’s been such an inspiration listening to Chris’ playing in detail again – he was such a special player and we miss him so very much. But it was so great that he was with us once again in spirit. You build up such a special bond when you’ve played with the same people for over 30 years so, it’s been really wonderful working on this track.

What is the concept behind your Surfing Round The World tour? Will there be a balance of new and old songs, or will you be playing more?
We’ve been playing around 20 shows a year for the last few years – mostly a weekend here and there and we always look forward to seeing each other, hanging out and making music.  We decided we wanted to get out and play a few more gigs this coming year and particularly in summer!!  We’re also going to change things up a bit and, for the first time ever, add a few of our ‘family tree’ songs to the set.  Tunes from some of the bands the various members of GANGgajang have played in over the years: Angels, Riptides Yothu Yindi. We’ll be bringing the party – like we always do!!

What does your song writing process look/sound like?
If I told you how I write songs I’d have to kill you!!!  Seriously though, for me it’s a pretty ‘meditative’ process.  I tend to sit with the guitar and play for ages exploring chord progressions and melodies.  Then I’ll come up with a snatch of lyric and be onto the genesis of a song.  That’s where the hard work begins – trying to shoe-horn loose ideas into a comprehensible arrangement and concise lyric.  I tend to have a couple of dozen ideas on the go at once and return to them until I work them into shape.  Some come quite quickly, some have taken years and will probably never go anywhere and at other times a complete song has popped out in literally 5 minutes.

If someone had never listened to GANGgajang before, what song of yours would you recommend if they could only listen to one?
I’d definitely say ‘Sounds Of Then’ because it’s got that unique GANGgajang groove framing Robbie’s beautiful guitar playing all underscoring what I think is a pretty good (though often misunderstood) lyric.

What is the best thing about touring? Is there anything that is not so great? 
The best thing about touring for me is being with my friends.  We’ve been making music together for over 34 years, we’ve been through good times and not-so-good times, had our ups and downs and ultimately we’re a family and are very close.  Chris Bailey’s passing in 2013 has only brought us closer together.  We realise how unique our bond is and treasure it.  There’s nothing I really hate about touring – as long as it doesn’t go on forever!  I think that’s something many bands take time to learn – it’s far better to play less and enjoy it more than to think short term and burn yourselves out.

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Is there a concert or experience that you will never forget and can share with us? 
There have been some really great moments over the years. But one of the best was our first ever gig in Brazil.  We arrived in the country not really knowing what we were in for.  The venue was the Metropolitan in Rio and after a rather eventual drive from the hotel, we turned up at the gig to discover that the place held 10,000 people.  We were pretty nervous and were just glad we’d insisted in receiving our return tickets to Australia upfront because sure as hell the promoter was going to lose his shirt (and his house!) on this gig. 10,000 people – for us – in Brazil! We did the sound-check and went and had dinner. When we returned, the place was full! And the reaction was mental! – they all knew the songs and sang and danced like crazy – it was a totally brilliant evening.

If you could pick absolutely anyone to bring on tour with you, whom would you pick and why? (Dead or Alive)
I’d probably go with Bob Dylan, in a talkative mood!

How has your sound evolved over the years? 
The main influence on our sound over recent years would have to be technological.  We began recording in analogue era and made the transition into the digital sphere.  The continual evolution of recording technology has really changed the way we – and most other groups record.  We’re all reasonably expert recording engineers, so there days we work on tracks by a kind of ‘chain-letter’ process where we circulate a recording, adding our various parts as we go.  This means ideas for any part or instrument can come from anywhere, rather than ‘specialists’ just sticking to their own particular instrument.  This was always a hallmark of GANGgajang’s recording process but modern technology has really turbo-charged the process.

What is your perspective on the Australian music scene as compared to thirty years ago?
There might be a book in that question!!  I might just stick to a couple of points.  Firstly, the talent of Australian (and Kiwi) musicians has grown almost exponentially in the last few decades.  Hopefully, our generation of musos has helped that process through paving the way, opening a few international doors, by being inclusive and encouraging to younger bands. Technology has also played a role, generally speaking,  I think young musos today play better and write better songs than we did.  I’m just in awe of so many of them. There’s still a way to go though, especially in the area of gender equality, to achieve the kind of truly inclusive music community we deserve (and need). The other thing I’d mention is just how professional the industry has become: we have so many great managers now and, they’re globally connected as never before. The same applies to the labels and music publishers. The Australian music scene is plugged into a global community and these days a hit really can come from anywhere.

What are your plans as a band after the tour?
Probably a cup of tea and a good lie down!  Nah, we’ll continue to record and circulate our files, have our weekly phone hook-ups (we all live in different cities), to cook up our next lot of crazy ideas – all while having our usual belly laughs.  We recently had a couple of people sit in on these weekly phone meetings and they simply couldn’t believe how much fun we have.

What are your major goals or milestones for the future?
We’ll I’m moving house at the moment, so that’s a big one!!  I’m looking forward to getting set up at the new place and get my studio operational again.  I’ve so many songs I need to record at the moment.  Until I do that, I can’t really think about anything else!

Finally, this is a paragraph dedicated to some quick discovery. Really corny, but for the fans, can you tell me your favorite album, artist, movie, place, drink, meal and person (living or dead) and some brief reasons why? Answer some or all please?
I’ve run out of time to really get into this, but instead of favourite album, how about my favourite Dylan album?
It’s ‘Oh Mercy’ and for many Dylan fans it’s an unusual choice. I love it because I find the combination of Dylan’s songwriting and Daniel Lanois’ production so sublime.  I play it regularly and always find something new in there.

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Ganggajang

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TOUR DATES

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Thursday Jan 10
Grand Opening
The Doo Bop Gatsby Room
Brisbane
Tix

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Friday Jan 11
Twin Towns Gold Coast
Tix or Venue 1800 014014

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Saturday Jan 12
Caboolture RSL
Tix or Venue 07 5495 1699

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Sunday Jan 13
Caloundra RSL
Tix or Venue 07 5438 5800

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Friday Jan 18
Narrabeen RSL Club
With ‘MACHINATIONS’
Tix

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Saturday Jan 19
Tea Gardens Hotel
With Jade Holland Band
Tix or Venue (02) 4997 0203

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Friday Jan 25
Yamba Bowling Club Yamba
Tix or Venue 02 66462305

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Saturday Jan 26
Hoey Moey Hotel Coffs Harbour
Tix or Venue 02 66523833

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Sunday Jan 27
Toronto Hotel
Tix or Venue 02 49591033

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AMNPLIFY – DB