Project Description

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STEVEN WILSON
‘THE FUTURE BITES’
Album Review

(6th February, 2021)

Reviewer – Chris Reid

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OK Computer for the Amazon age… one of the boldest and best albums Wilson has made Prog

“The Future Bites is a great, grown-up pop record – knowing and self-aware, but never too much for its own good” Mojo 4*

“A beguiling pop rabbit hole” Uncut 8/10

“Pink Floyd’s Welcome To The Machine if Rick Wright had been given free rein with the synths and Nick Mason had programmed a drum machine” Electronic Sound

“His masterpiece… Wilson’s strongest outing to date” Record Collector

“Wilson has never before paced such a rollercoaster ride into a single album…another triumph” Classic Rock 9/10

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Steven Wilson is an English musician, singer, songwriter and producer. Arguably best known as the  guitarist & lead vocalist for the Progressive Rock band Porcupine Tree, Wilson operates predominately as a solo artist these days.

Progressive music is a wide ranging term. A reputable online encyclopaedia defines Prog music as  music that attempts to expand existing stylistic boundaries associated with specific genres of music. The Future Bites is Wilson’s 6th studio album and whilst it isn’t progressive in the usual ‘Steve Wilson’ sense, there is no doubt that Wilson is exploring styles beyond those that are typically associated with his work – in that regard he’s being progressive in his compositional approach if nothing else.

The collection of songs strike me with a retro aesthetic, punctuated by a heavy use of sythns and 80s sounding drum machine tones. The album is probably best classified as a pop album, but while the songs are concise and the hooks are prevalent there is a subtle underlying complexity to most of the material that should keep Wilson’s fans engaged. Wilson’s guitar isn’t overly prominent, but the album still sounds like a Steve Wilson release due to his recognisable vocals. Lyrically the album is centred around the human condition in the internet era, an almost satirical take on the way humanity operates in 2021. My favourite tracks on the album are 12 Things I Forgot & Personal Shopper but the album is a pretty easy and catchy listen throughout.

Personally I find Wilson’s overtly progressive and darker releases to be more to my liking than The Future Bites, however there is no doubt this is a strong release. Wilson has a rabid fanbase so the release will do well for him, however it’s the sort of album that would do phenomenally well if it was released by a Pop artist – such is life. 

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Follow STEVEN WILSON
Website – Facebook – Twitter – Instagram

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Press Release 29th January 2021 below

STEVEN WILSON
‘THE FUTURE BITES’
Out Now
Everywhere

THE FUTURE BITES explores ways that the human brain has evolved in the internet era. Where 2017s Top 3 album TO THE BONE confronted the (then) emerging global issues of post truth and fake news, THE FUTURE BITES places the listener bang in the middle of a world of 21st century addictions. Its a place where on-going, very public experiments with nascent technology on our lives take place constantly; where clicks and Tiks have become more important that human interaction. THE FUTURE BITES is less a bleak vision of an approaching dystopia and more a curious and playful reading of a world made all the more strange and separated by the events of 2020.

Buy it HERE

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Musically, THE FUTURE BITES positively gleams. Across the album, there’s tracks that deal in gorgeous electronics warped by human intervention (KING GHOST) and soaring acoustics that hit the stratosphere (12 THINGS I FORGOT); a ten minute treatise on the joys of oniomania laid out by Elton John over a Moroder-esque whirlwind (PERSONAL SHOPPER) and a relentless bass-driven Motorik groove that dives right into the murk of click bait and online radicalization (FOLLOWER). The album’s new recording, COUNT OF UNEASE, is a beautifully plaintive close to the album that floats out on a mix of piano and ambient sound. Together, the nine tracks form Stevens most consistently brilliant work to date. THE FUTURE BITES was recorded in London and co-produced by David Kosten (Bat For Lashes, Everything Everything) and Steven Wilson.

THE FUTURE BITES website cracks a door open onto a wonderful world of purchase power, a place where everything is marketable and nothing is too random or too moronic to be considered valuable. Inspired by notable 21st century artefacts like the Virgil Abloh ceramic block or Vitality Air’s canned Canadian oxygen, THE FUTURE BITES website is a fully imagined consumer universe (built in collaboration with Baby and Crystal Spotlight) designed to be accessible and addictive to anyone from the casual fan to the hardcore collector.  The site features regular drops of limited edition merchandise – this could be anything from a slogan shirt to a branded hole punch.

A unique, super deluxe edition of THE FUTURE BITES went on sale in October for £10,000., and sold out instantly. All profits from the sale of ULTRA DELUXE MUSIC PRODUCT ON OBSOLETE MEDIA were donated to Music Venue Trust.

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THE FUTURE BITES
track listing:

UNSELF
SELF
KING GHOST
12 THINGS I FORGOT
EMINENT SLEAZE
PERSONAL SHOPPER
MAN OF THE PEOPLE
FOLLOWER
COUNT OF UNEASE

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AMNPLIFY – DB

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