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$UICIDEBOY$
add two new dates to
GREY DAY
Australia & New Zealand
Tour 2024
due to overwhelming demandMARCH 25 – BRISBANE, AUSTRALIA
MARCH 29 – MELBOURNE, AUSTRALIATICKETS ON-SALE TODAY FROM 2PM (LOCAL)
PURCHASE TICKETS HERE
MARCH 23 – AUCKLAND, NEW ZEALAND
MARCH 26 – BRISBANE, AUSTRALIA
MARCH 28 – MELBOURNE, AUSTRALIA
MARCH 30 – SYDNEY, AUSTRALIATOUR SUPPORT INCLUDES
GHOSTEMANE, POUYA, GERM and SHAKEWELLTICKETS ON-SALE DECEMBER 13
PURCHASE TICKETS HERE
New Orleans trap-metal / emo-rap duo $uicideboy$ have announced 2 further dates on their Grey Day Australia & New Zealand Tour for March 2024, due to exceptional demand for tickets.
General public tickets for these new Brisbane and Melbourne dates go on sale today at 2pm (All times are local).
The tour commences in New Zealand on March 23, 2024 at Auckland’s Spark Arena, followed by Brisbane Entertainment Centre on March 25 and 26, Melbourne’s Rod Laver Arena on March 28 and 29, concluding at Sydney’s Qudos Bank Arena on March 30. Tickets HERE.
Confirmed special guests are Ghostemane, Pouya, Germ, and Shakewell.
In 2023, Ruby Da Cherry and his cousin $crim achieved remarkable success as the $uicideboy$, delivering a substantial amount of music with six $uicideboy$ projects, and Ruby’s debut DUCKBOY solo EP, “tragic love songs to study to [vol. 5].” Moreover, they completed their largest Grey Day Tour to date, playing arenas and amphitheaters across the US in 44 major cities and selling nearly 500,000 tickets. Their prolific year included the fifth instalment of their fan-favorite series “I No Longer Fear The Razor Guarding My Heel,” a 4-part EP series titled the Yin Yang Tapes, and joint projects with G59 Record$ labelmates Shakewell (“Shameless $uicide”) and Germ (“DIRTIESTNASTIEST$UICIDE”).
In 2023 alone, their music collectively garnered 3 billion Spotify streams. $uicideboy$ are featured on the cover of Spotify’s Top Groups of 2023 USA (most-streamed groups in US), and their single Not Even Ghosts Are This Empty added to both Best Groups of 2023 and Top Gaming Tracks of 2023.
$uicideboy$ are currently among the Top 100 highest-streaming artists of all-time across all musical genres. Their most-streamed tracks on on Spotify “….And to Those I Love, Thanks for Sticking Around” and “Kill Yourself (Part III)” have each amassed over 500 million streams. Additionally, their two top-performing albums, I Want To Die In New Orleans and My Liver Will Handle What My Heart Can’t, have accumulated over 1.2 billion streams on Spotify alone. Their latest official full-length LP Sing Me A Lullaby, My Sweet Temptation marked their 3rd consecutive Top 10 album debut on the Billboard Top 200. The album led to sold-out arena and amphitheater tours followed by a top-billed performance spot at Coachella music festival in 2023.
About $UICIDEBOY$:
$uicideboy$ dig light out of the deepest corners of darkness, addiction, hopelessness, and pain. The New Orleans-bred duo of cousins—Scott Arcenaux, Jr. a.k.a. $crim and Aristos Petrou a.k.a. Ruby da Cherry—translate a fight against demons (seen and unseen) into a clever, caustic, and corrosively catchy apocalyptic vision of hip-hop pierced with punk intensity and laced with Southern flows. The world first met $uicideboy$ in 2014. After releasing dozens of projects and playing hundreds of sold-out shows, they’ve generated billions of streams and earned multiple RIAA certifications, including the platinum “…And To Those I Love, Thanks For Sticking Around” and gold “Carrollton,” “2nd Hand,” “Runnin’ Thru The 7th With My Woadies,” “Paris,” and “Kill Yourself (Part III).” Beyond their critical-acclaim from Billboard, XXL, Alternative Press, Pigeons and Planes, Hypebeast, Revolver, and more, they built their label G*59 Records into a bastion of independent talent and home to Night Lovell, Shakewell, Germ, Ramirez, and others. In 2022, the punk-rap duo landed in the Top 30 most-streamed artists across all genres and have climbed to the Top 100 of most-streamed artists of all-time with over 15 billion career streams.
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AMNPLIFY – DB
My nickname is “The Amnplifier”. Why? Because around here my focus is on being a conduit for providing greater outcomes that people come here for. My day to day “work” is living in the moment, and I love helping others concentrate on finding their connection to themselves through their experiences.
Why start a music environment? The truth is I love music, I love writing, and I love life. I work with musicians every day, and I feel certain that I will be until they put me in the ground. I have been managing people in businesses of some sort for over thirty five years so along the way I have developed some “wisdom” from my regular and constant “observations”.
Amnplify your experience. That is what we want you to do here, and if you want to let me know why you do, or don’t, shoot me a message on Facebook.
Hope you enjoy yourself here and find something that hits you somewhere.
